We are very excited to announce the upcoming group exhibition Ecstatic Trance: Artists on Rock My Religion, co-curated with Kathy Battista. The project marks the fourth collaboration between marytwo and Battista, and brings together both long-standing and new friendships: Kathyâs decades-long friendship with Dan Graham and Mieko Meguro Graham, alongside the more recent dialogues between marytwo, Battista, and the participating artists.
The exhibition presents new and existing works by Sarah Benslimane, Samantha Box, Ashton Phillips, and Diogo Pinto, all responding to the late Dan Grahamâs seminal video essay Rock My Religion (1982â84), a paragon of cultural study that analysed rockânâroll, religion, and rebellion. Ecstatic Trance takes this landmark work as a point of departure, revisiting its reflections on popular culture, subcultures, and communal experience through a younger generation of artists working across fluid and interdisciplinary practices.
Full documentation will be online when the exhibition ends. For press please contact office@marytwo.one
See below an interview done especially for the show between Mieko Meguro Graham and Kathy Battista âŹď¸
(EN) Exhibition text by Kathy Battista, floor plan
(DE) Ausstellungstext von Kathy Battista, Saalplan
Poster design by Fabian Fretz
The following is from an interview that took place in New York City on September 22, 2025 between writer, curator and lecturer Kathy Battista, a longtime friend of Dan Grahamâs, and Mieko Meguro, artist, curator, head of The Dan Graham and Mieko Graham Foundation and wife of the late Dan Graham.
Kathy BattistaâThis exhibition is inspired by Dan Grahamâs Rock My Religion video from 1984. It is a seminal work in his oeuvre and one that has had wide cultural influence. Can you comment on how important this work was to Dan?
Mieko MeguroâThe first time I met Dan in 1992 we were talking about Christianity, Judaism, Buddhism, Shintoism and I asked him what his religion was. Dan said, âRockâ. I was laughing so hard.
KB Can you talk about Danâs interest in music, for example which were his favorite bands and/or genres of music?
MM He has so many, like Ray Davies and The Kinks, Neil Young, Bob Dylan, Devo, Neil Diamond, The Mamas and Papas, The Byrds, The Beach boys⌠Sonic Youth, but they were more like friends. His favorite genre was rock, but he also liked country music, and he really liked classic 1960s music that he grew up with, like the girl band genre. He liked records and CDs. And then he started making the CDs, which were so fun.
KBÂ Young people today are obsessed with social media like TikTok, where music and homemade videos have become ubiquitous. Danâs work is an intellectual forerunner of using popular culture to create content. Do you think Dan would have used TikTok if it was available in the 1980s?
MMÂ He loved music so much. Life with Dan we were surrounded by music. Iâm sure if he could use TikTok he would, but I donât know how he would have used it. Because he never played music. He was a good listener, but not a musician himself. And he didnât do social media.
KBÂ As Chair of Danâs Foundation how do you think the legacy of his work will be maintained? Are you focusing on exhibitions, screenings, publications?
MMÂ The foundation is a really big project, and I feel overwhelmed with the responsibility. I want more young people to see Danâs books (in addition to Rock My Religion he has been published many books). But unfortunately, many of the bookshops donât carry it: MoMA doesnât have it, the Met doesnât have it. A big part of my work is pushing for the memory to live on through exhibitions and projects. I also need to publish Danâs catalogue raisonĂŠe. And I also wanted to think about Danâs good days with me.
KBÂ Dan had a passion for astrology. You illustrated a beautiful book of his writing on astrology and architecture. Can you say something about collaborating with your husband?
MMÂ When Dan asked me to draw for his book I was surprised and it was a great honor. I had never thought about that. I enjoyed it a lot and I was happy to do that. He took astrology pretty seriously. I asked Dan, âWhy do you know astrology so well?â And he said that when he was teaching he didnât know how to communicate with a student. So then he started asking about astrology to find out more about them, to understand people. He had such a facility for it. Like he could remember everybodyâs birthday. He didnât write it down, he memorized in his brain.
KBÂ Do you feel your own work was influenced by Danâs work? And if so, which body of his work in particular?
MMÂ I am an old-fashioned artist, and make objects and paintings. Dan was an avant-garde artist with such a gigantic brain. So I think we are completely different kinds of artists, but um, I love every part of him. And his entire existence was an influence on me. I hope I can be a better person like him, be kind, smart, funny. He was very funny and a loyal friend. He was awesome. If Dan was with me, I didnât want anything. I was so happy just the two of us and I love every part of Dan with all my heart.